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GREEN INTERIOR DESIGN SERVICES
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PUBLICATIONS from articles published by Carol Crawford,
and from her lectures:
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"WHAT MAKES A HEALING ENVIRONMENT? essay below excerpted from Healing Design, an environmental planning booklet prepared for, and funded by, Staten Island University Hospital by Carol Crawford in 2002 at the rquest of SIUH'S Healing Environments Planning Committee, Maureen Skelton, Director of University Hospice, Chair. [copyright Carol Crawford, 2002 ]
Effective healing of the body requires an approach and methodology which integrates body, mind and spirit. It requires the development of a new model of health delivery—a true “Healing Environment”, one that is patient-focused, value-based, and that integrates the best of western scientific medicine with complementary healing traditions, practices, and approaches. The design and the ambience of the hospital setting also profoundly affects the quality and effectiveness of care by determining the comfort level for care-givers as well as that of patients and visitors. What the care-givers do and what the built environment provides combine as a potent and positive force to counteract the mechanization and impersonality of modern life---factors which have contributed to human illness. Linked to the design and construction of a true healing environment is a painstaking, conscientious effort to use materials which are safe, derived from sustainable resources, and manufactured in ways which are non-toxic and even beneficial to the planet. There is care taken to insure that the air quality is healthy and that the noise level is carefully controlled. The goal is to design without harm. The effort is driven by giving priority to human issues and human needs, and a firm belief in the power of art and nature to heal---as much by real contact and interaction as by symbolic association . Conceive a labyrinth, for example: [ sample ] The concept is mythic, connected to rituals of rebirth and fertility for thousands of years; that built at Chartres Cathedral in France has been walked since the early 13th century for meditative healing. On every Friday, the Chartres Labyrinth pattern, replicated on fabric, is laid out on the floor of the University Hospice’s Conference room, to be walked by visitors and patients; in the Meditative Gardens at High Rock there are two, open to the public as paths to inner peace. Consider a garden, its color, texture, and above all, its fragrance: both herbal lore and layout figured prominently in early medicine; modern facilities such as [ ] in California and Staten Island’s own [ ] specifically incorporate the comforting proximity of nature as a factor in patient therapy Contemplate the water: why not? We frail animals are made of more than 95% of it. If we become dehydrated, we faint and die. To bring a fountain, a pool, a waterfall, into a healthcare facility seems natural and intuitively healing. The vision and the feel of water is a quintessential mirror of our body’s essence; its sound soothing. All around our hospital is the seashore with its tides ---endlessly echoing the rhythms of life itself. Our horizons, alternating between an urban, manufactured skyline and the infinity marked by sky and ocean, are a means of reaching outside ourselves to be calmed. Imagine air: soft, moving, fresh, invisible, warmed and sterilized by sunlight, scented not by exhaust fumes and waste, but by growing green things, carrying the promise of fruitful earth, gently massaging our skin---that amazing envelope of sensibility---and filling our minds with associations as it fills our lungs with life-giving oxygen. How immensely exhilarating and refreshing it is to smell the natural air instead of only the innocuous, deadened, recirculated air of a sealed environment. Envision art instead of machinery and clutter, resting places for your eyes which are not mysterious and frightening, but familiar and engaging. Anticipate touch and the sense of caring it conveys. Just knowing that care-givers are near at hand, perhaps a family member, can instantly restore a feeling of safety and allay fear and anxiety.
According to futurist Russell C. Coile, Jr., author of New Century Healthcare and a member of the Board of Directors of The Center for Health Design, a healing environment is also cost effective. “Those who combine innovative ideas for cost efficiency with healing design will make their own future” economically. " for more information and pictures, click here to return to Planning and Consulting
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WHOM DO
WE TRUST? [article about
choosing sustainable materials for interior design,
IN THE VOICE, IIDA Newsletter,
Metro NYC Chapter, May 2005 by Carol
Crawford When it comes to sorting out the
pros and cons of choosing and specifying sustainable materials for
a client, decisions must be based on sensible reasons, as well as
code restrictions, functionality, and
aesthetics. Where do you turn for
guidance? Generally speaking,
it is bias that guides us and bias
that confuses us. If you are environmentally
savvy, you understand that there are long-term consequences to
factor into your material choices, such as prolonged off-gassing of
harmful glues that make indoor air quality less than healthy for
workers, particularly when windows are sealed and there is a closed
HVAC system. If you are a confirmed
"cradle-to-cradle" tree-hugger, you are also concerned with how the
product is made at the factory, whether its components deplete
fossil fuels and un-renewable resources, or are inherently toxic;
You need to know the possible harmful
by-products and post-industrial left-overs, like polluting
effluents pouring from factory into stream, or if toxic components
the leaking into the surrounding earth and
groundwater, creating brownfields; where and how
are solid wastes disposed, how much and what kind of energy is used
for manufacture; what more energy costs accrue to transport the
product to site use? Finally, what happens when
the product is worn out? Is it dumped into
landfill? Burned? Re-cycled?
Re-claimed? If so, how? What
are the energy and pollution consequences of that?
As specifiers, we must also be able to address concern
about the up-front costs of "green" materials:
are they really more expensive? Are they worth
it? As the market for them has increased, the
cost has come down dramatically. There is a real
need for a source for facts and of unbiased analysis in the search
for "green" product choices, especially when a cost comparison with
"non-green" materials is involved, as so often
happens. Few can afford the time or money for
the full Monty of Life Cycle Analysis. Groping for direction, we should
first read the labels ...or ask the manufacturer for the
specifications. You can try the MSDS [Material
Safety Data Base] files, many free on-line. When
the chemical descriptives make your eyes glaze over, you can seek
an organization that is dedicated to certifying, one that
has a good track record of careful analysis and honest
reportage. Greenguard is one of these;
they are concerned with IAQ: Indoor Air Quality, and provide
detailed analysis of off-gassing and other pollutants put into the
air by the materials and products used for interiors. There are also trade
organizations which publish useful information on particular
products when you need to know about installation and fiber or
backing composition; but they are, understandably, industry
spokespersons and lobbyists, and hardly impartial
critics. CRI, the Carpet and Rug
Institute, has a helpful set of educational pamphlets about how
carpets are made and installed. They don't
emphasize value judgements. The Resilient
Flooring Covering Institute [RFCI], however, actually filed a
lawsuit in 2002 against the State of New York with Tarkett, Inc.,
in support of the PVC industry (polyvinyl chloride, or "vinyl"
manufacturers], after New York established its "Green Building Tax
Credit" program which prohibits the use of vinyl
flooring because of "serious environmental and public health
concerns related to its production"*. The
State's Attorney General, Eliot Spitzer, filed a defense of the
pioneering program in May 2003, and the suit was withdrawn later
that month. Ironically, Gov. Pataki
recently allowed PVC pipe to be used in buildings, a clear
contradiction of his own program.
Ignorance? Oversight?
Trade-off? This kind of action leaves
environmentally-concerned blinking a lot.
Aggressively partisan groups
like Greenpeace and the Vinyl Institute tend to
square off at extreme opposite poles on the issue of vinyl safety
and use; both speak with authority and cite scientific studies to
support their claims. When you dig a bit, you
begin to evaluate the weight and value of those
claims. Greenpeace is a well-known, even
famous, non-profit group whose mission is Environmental
Justice. Since its
founding in 1971, Greenpeace has tackled the most critical
environmental issues. Today its work "focuses on six major efforts:
saving ancient forests, eliminating the threat of genetic
engineering, stopping global warming, ending the nuclear age,
exposing toxic pollutants and protecting the oceans"*.
They also, along with the Healthy Building
Network and Sierra Club, disseminate information on toxic
materials. The Vinyl Institute,
founded in 1982, "is a U.S. trade association representing the
leading manufacturers of vinyl, vinyl chloride monomer, vinyl
additives and modifiers, and vinyl packaging materials".
They also aggressively promote and defend
the use of PVC. Although the Vinyl Institute
proudly cites its contribution to Habitat for
Humanity, promoting all-vinyl housing in poor
communities, the vinyl plants located in the
poorest communities like Lake Charles, Louisiana, have some of the
highest rates of cancer and pollution in the country, much of it
documented as occurring in the air, water and earth surrounding the
vinyl plants. Judith Helfand, who produced the
electrifying documentary film, "Blue Vinyl", in
2002, exposing the worst environmental offenses of the
global vinyl industry, has in turn been highly criticized for her
point of view, along with Greenpeace, by industries using vinyl in
their products. But even if you are not extreme in demonstrating
that Nature's voice must be heard, you have to admit that intense
dialogues such as these have been instrumental in raising public
awareness of the environmental damages done through pollution and
the ruthless harvesting of natural
resources. We cannot forget that choices may
be influenced by ideology ...some, good; some,
bad. If ideology drives an intent to save the
planet, or, at least, to maintain the health and well-being of the
public [... that certainly
sounds like the basic ethical and legal mandate for certified
interior designers], then it's
good. It can also induce an
evangelistic fervor to educate your client and your
colleagues. That's not exactly bad, but it can
be annoying, if not frustrating, as in the arguments for and
against using PVC or "vinyl", whose non-use in or
elimination from, a product, like carpet tile backing or
textiles for healthcare, has become a plus-factor for
marketing. But when a product doesn't
honestly fill the sustainable mold or if the existence of
potentially harmful components are downplayed to capture market
share, and the product is advertised as "green", ..then the
disinformation and misinformation process
begins. It's called
"greenwashing"...and that's bad. The word
"green" has been converted into bait for customers concerned with
environmental safety. The sad truth is that much of the
information and commentary out there is driven by current
government policies which overtly favor roll-back of environmental
safeguards and favor industrial profit over human health and
conservation of resources. I don't advocate that
designers become Pollution Police, but good old common sense is
needed to maintain a balanced
perspective. My mother, and probably yours,
would admonish us..."just aim to do the right thing...and you
know what that is!" So, when evaluating the
evaluators, and certifying the certifiers, always ask yourself who
benefits, who pays? Who is in whose
pocket? Next, ask yourself, "Is it hype
for market share or is it passion for human
welfare?" I tell my students on the first
day we launch into a semester's study of materials and
specification that we as designers have a moral responsibility to
be honest advocates for our clients, and to educate them when
needed. But we have to educate ourselves,
first. Listed below are a few helpful
information sources: Various trade organizations: useful installation,
maintenance data but not good for environmental hazards L.E.E.D. NC or -CI guidelines for green
construction and interior finishes in terms of a
point system of value, developed by the non-profit USGBC USGBC: United States Green
Building Council, non-profit, established the L.E.E.D. green
building rating standards and program; run GREENBUILD
conference ENVIRONDESIGN: annual conference on sustainable
design, methods and materials; educational NRDC National Resources Defense
Council EPA : Environmental Protection Agency, when it
isn't party to politics FSC Forest Stewardship Council certified wood
from environmentally managed forests MSDS http://www.ilpi.com/msds/#What http://www.ilpi.com/msds/#Internet http://msds.ehs.cornell.edu/msdssrch.asp to cite a few databases Greenspec: subscription to constantly updated
listings of green products and companies EBN: Environmental building News; issues and
materials HBN:Healthy Building Network
keeps you abreast of the politics of environmental issues and the
safety of materials in a frank, well-documented way Greenguard / Greenguard Environmental Institute
has a free educational program for Indoor Air Quality Green@work : magazine and
website http://www.greenbiz.com/ Greenclips: email news service Environmental Design +
Construction magazine (ED+C): great photos of sites,
vendor lists Metropolis Magazine: information; involvement in green issues, design,
ICFF. |








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ARTICLE by Carol Crawford, FEB. 2007 for The Voice ,The newsletter for the New York City chapter of IIDA, the International Interior Design Assn. While the information in the following text is most pertinent to professionals in the design-build industry, consumers...our clients, big and small,...can benefit by knowing about sustainable, green design objectives, and how by hiring an interior designer who understands such issues, they, too, are helping to repair and save the health and future of our global environment. GREENBUILD 2006, DENVER: AN APPRAISAL OF WHAT NUMBERS CAN DO “WE’RE NOW MORE NUMEROUS THAN RATS!”
So intoned Dr. David Suzuki, in his keynote address for GreenBuild 2006 Members’ Day, as 13,000 of the 6.7 billion of us humans, having overrun the planet, swarmed into Denver, and heard that the doom foretold 25 years ago was upon us. Would we listen, this time? Suzuki, zoologist, and white-haired guru of environmental concerns, can be forgiven his passionate pronouncements. He was an environmental activist and teacher long before the 1992 Earth Summit in Rio; and for 40 of his 70 years has been issuing warnings that our reckless consumerism was ruining life on the planet. We have disconnected from Nature, and the world that spawned us, even while we’ve become the dominant species. Would politicians or government help? No. There was only one politician he had encountered back in the ‘80’s who understood perfectly what handbasket we were creating to take us to Hell, and that one warned against counting on politicians for leadership.. Name? Al Gore. We have to help ourselves, he said. Our human swarm, like lemmings, has at last arrived at the Big Dropping-Off Place, and it’s turn back or vanish from the earth. 6.7 billion of us, on a collision course with nature. Awesome. The shouts and warnings continued through much of this conference, writ large. Imagine 13,000 architects and designers, post-breakfast, herded out of the Colorado sunshine, through the doors of the main auditorium of Denver’s Convention Center for their first full day of serious information–input, staring down into a dark, vast Coliseum-like space, its tiers of seats illuminated by flashes of psychedlic light emanating from wide screen images, pumped by loud rock music. The effect was… stupifying. I didn’t know whether to laugh or stare in shock. The theatrical effect did its thing: everyone grew animated and energized. We were focused. As David Suzuki had said, “The Green Building Movement is exploding”.
Rick Fedrizzi, the CEO who helped launch the U. S. Green Building Council 5 years ago, cited some startling stats: there are now 33,000 L.E.E.D. APs---Accredited Professionals---number growing daily, and 68 chapters of the USGBC in the USA. There were 6000 registered certified L.E.E.D. buildings by last November. The big aim of the USGBC, Fedrizzi said, is sustainability within a generation: by 2030. That includes the goal of 9 million certified green homes by 2010, and 1 million certified buildings by 2020. The savings of natural resources in a “green” bulding is said to be 30% in energy, 35% carbon footprint reduction, up to 50% water saved and 50-90% waste reduced. The prediction of a vast population explosion in the 21st century makes water and energy of prime importance; by 2050 we may need two planets to suppport all of us. Especially if the fishing industry collapses by 2048 as some project.
Now, if this sci-fi prospect hasn’t turned you off, read further: help is out there. GreenBuild’s seminars provided information about some tools being developed to arrest or reverse our negative impact on the environment and help us make sustainable choices: the Pharos Project: for green materials selection. http://www.pharosproject.net/about_pharos/index.php The Pharos Wiki will help in the evaluation and indentification of, building products. Pharos is a part of the Healthy Building Network, www.healthybuilding.net , a great resource for information on sustainable materials and issues.
CSI Greenformat: http://www.csinet.org/s_csi/docs/13800/13744.pdf , for reporting on construction product sustainability; it is being developed by the Construction Specification Institute whose coded categories the design-build industry cites for building material specification schedules.
Of the many seminars I attended, probably the most amazing was given by Prof. Terry Collins of Carnegie-Mellon University’s Institute for Green Oxidation Chemistry in Pittsburgh, concerning his research in developing Fe-TAMLs. They are versatile oxidizing catalysts made from benign natural elements that combine with hydrogen peroxide to convert pollutants into less toxic substances-- cleaning dyes from plant effluent, removing sulfur compounds from fuel, and pesticides from agricultural run-off. A glimmer of hope for our earth’s dwindling potable water supply.
Interior designers can also be part of the solution. When asked to recommend materials for a project, we can first check the nature of their dyes, fibers, backings, glues, content, chemical processes, coatings, method of manufacture before we select them. We interior designers can push to be on the design team at the outset of a project, not at the end, to “finish it off”. We can become L.E.E.D. Accredited Professionals, and play a leading role in making sustainable choices. We can push the USGBC and L.E.E.D. to give a greater number of point credits for interior materials and finishes, those elements which cause the vast amount of toxic off-gassing and pollution--- in fires, for example. Since there are so many of us, solving the problems we caused should be a piece of cake, right?
Some bedtime reading: DECEIT AND DENIAL. THE DEADLY POLITICS OF INDUSTRIAL POLLUTION. By Gerald Markowitz and David Rosner, Berkeley: University of California Press/The Millbank Memorial Fund, 2003, 408 pp., illustrated “The Sacred Balance” interactive website of the Suzuki Foundation: http://www.sacredbalance.com/web/indexfirst.html http://www.davidsuzuki.org/ Union of Concerned Scientists http://www.ucsusa.org/ facts on global warming U.N. report on climate change: http://unfccc.int/2860.php
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ARTICLE FOR FALL ISSUE, 2006, IIDA NEWSLETTER: Oct. 8,
2006 "GREEN CONFERENCING: IS IT WORTH THE TIME &
MONEY?" By Carol Crawford, NYSCID For the past five years I've made a professional leap into
conferencing. It's expensive.
It's exhausting. But I have found it worthwhile,
and I think it's beneficial to assess its value---a kind of Life
Cycle Cost Analysis and Value Engineering approach which most
design professionals readily understand. What I am referring to as a "green" conference is one focused
entirely on issues of sustainable design, and embracing all
design+build professions, NGO's and
businesses. The two biggest are
Environdesign, held in Spring, and
Greenbuild in Fall. Environdesign held
its 10th Annual in Toronto April
25-27, 2006; Greenbuild, an event born of the U.S. Green Building
Council, holds its fifth international in Denver November 14-18,
2006. In the past five years intensive "green"
seminar programs have been imbedded in trade fairs like Neocon or
ICFF, but they cannot be compared to either Environdesign or
Greenbuild in educational value. It's all about
intensity. Of the two, Environdesign is the pioneer and the premier
inspirational conference; it has always been a compass to guide
designers in developing intelligent, effective attitudes toward
global environmental safety. It has been
the idealistic "heart" of the professional green
movement, appealing to educators,
environmentalists, corporate CEO's and
scientists, as well as professionals in the design-build
industries. William McDonough, Michael
Braungart, Janine Benyus, Ray Anderson, David Orr, and other
seminal thinkers and speakers have been keynoters;
Until 2006, its Product Learning Center
was extensive and excellent. Its book display
has been alluring for any bibliophile who wants to develop a
library shelf on sustainability. It's early
growth was exponential: from 100 to 1200 in three years,
approximately. It is not, however,
huge. It has plateaued at a
maximum of about 2500 attendees. Perhaps
interest in basics has reached its limit; the conference seems to
be dwindling. Greenbuild is
huge. During its first year, in
Austin, Texas, the organizers frantically sought accommodation for
more than 2500, which number increased during the conference,
itself. A relative newcomer, Greenbuild is
growing much larger and faster than
Environdesign. In 2005 it claimed about 10,000
attendees. Its trade exhibition component
boasts over 700 vendors expected in 2006.
It is sponsored by the U. S. Green Building council, a nonprofit coalition of
more than 6,000 private companies, nonprofits and governmental
agencies As the mastodon in the room, however, Greenbuild is impressive
but impersonal. On a comprehensive,
educational level, big is not better. It has
seemed to me to be more hard-edged, more directed toward architects
and engineers than designers, and a can-do, how-to, approach,
rather than aiming toward capturing hearts and
minds. You might want to counteract the
thrill of pure population density by checking your New Yorker's
Coping Manual. I've read that they
expect 15,000 to attend this year. The development of L.E.E.D. standards grew out of the
U.S.G.B.C. and is a major component of Greenbuild: 15 L.E.E.D.
workshops and seminars are offered in
2006. Because of Greenbuild's large scale,
there is a large-scale sharing of information and
ideas. During the November 2005 conference in
Atlanta, attendees produced
"the New Orleans Principles" , which address the issues of
rebuilding New Orleans post-Katrina. The
protocol was accomplished by a quartet of monster charrettes
involving over 200 firms and people. It took
over two months to collate and present for public engorgement. The cost of attending one of these "green" conferences is
not so much in the fees alone, which for any conference can vary
from $100-$1500, but for the accommodations and
travel. Most meals are included in the basic
fee, and that first hurdle is often cut
dramatically by registering early.
Students may pay as little as $100, or nothing if they work as
service volunteers. This year, Environdesign
cost $595 for 2 ½ days, less 20% for educators and students, and
15% less for government employees. Each
conference charges less than 1/5 the full cost for partial
programs, and passes for just the product exhibit alone cost as
little as $25. Special pre- and post-conference
workshops, such as L.E.E.D., and site tours cost extra, from $35 to
$475 each. What do you get for all that
money? -
EDUCATION: Workshops and
seminars with a wide choice of topic tracks:
at least 4 sessions per day, replete with
expert-led show-and-tell
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CEU'S GALORE in a neat bunch---often
enough for a few years' credits as stipulated by your license,
re-certification rules, or professional organization
- A
Product Learning Center [i.e. intensely eco-friendly
trade fair] where attendees can view, and compare,
hands-on, huge numbers of new green materials,
products, and technological advances, obtain samples, talk to
knowledgeable reps
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Extensive book market displays of relevant works on
sustainable design to purchase or order; Bibliophiles are
forewarned to take a tranquilizer.
- Pre- and post-conference
workshops that explore sustainable design
practices in comprehensive detail , such as L.E.E.D.
- Half-day and whole-day
guided Site Tours of some of the local area's greatest green
buildings, with plenty of chances to photograph; wear comfortable
shoes
- Networking:
at parties, special events and communal
mealtimes, sitting at round tables, seated opposite at least nine
other people you don't know' and have to talk to with your mouth
full
- Opportunity to have
enlightening conversations with accomplished thinkers and
doers; many an epiphany has ocurred under these conditions, and, if
you are a teacher, it can't hurt you
- Opportunity to
listen to the experiences, thoughts and opinions of hundreds of
people at least as smart as you are, from all over the world
After a heavy dose of all these goodies for five years, I can
honestly say that my top favorites are definitely the
site tours, which are usually phenomenal trips, even to
off-shore islands or other communities, with lunch and comraderie
thrown in; second, the product show and book
markets. Next, the dialogues and
presentations, both inspirational and factual.
The intensity of input puts me, I confess, back into freshman mode,
aiming my antlers into those headlights. Summing up, "green conferencing" is an
efficient way designers can learn how to use their skills to help
correct global environmental problems. We
might even say that a true definition of "Intelligent Design" is
that it's "green". |
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